While the villain is on the verge of a nervous breakdown as his speech about how heвЂ™s born to win is demolished by TamizhвЂ™s handwork, Dhanush, the star, is awarded with a punch line. ItвЂ™s okay if Sathish canвЂ™t come up with gags when the film is taking a dramatic turn the way it happens in many Tamil television serials, still itвЂ™s not okay to watch uninspired action scenes featuring Dhanush.

Similarly, humor makes way for action in the second episode. He neither has dialogues nor has his shadow in the film anymore. Midway through the film, Sathish loses importance. Sathish tags along with Dhanush throughout the first episode. Writer вЂ“ director Velraj has shifted his focus from mother sentiment to father sentiment in a year and gives Samantha and Amy some delectable scenes even though all that Samantha does is support her screen husband who is the only lead. Slowly, Dhanush reveals a part of the story via flashback. The movie in fact opens with the death of the father (K. Velraj killed the motherвЂ™s character in вЂVelai Illa PattadhaariвЂ™, and in вЂThanga MaganвЂ™, he kills the fatherвЂ™s character. She is so good-natured IвЂ™d say sheвЂ™s marshmallow in human form. She falls for simple lines at first and later walks away due to flimsy arguments. His instant attraction toward Amy works in his favor after he delivers a couple of harmless jokes regarding her beauty.

TamizhвЂ™s (Dhanush) life is divided between the time zones of first love and first marriage. Dhanush is a real вЂњthanga maganвЂќ in вЂThanga MaganвЂ™ but if the two hour movie were released episodically (one hour each), the audiences would have been happy with just the first episode because the second episode here becomes a mini-struggle to sit through.

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